From government briefings to quirky “human interest” stories and double-blind Pub Med studies, narrative in all its multifarious forms is what we resort to, promising in various measure, consolation and comprehension. But we rarely ask why. Why we are addicted to narrative in the first place. Why our minds work this way.
A new day, a new definition from our Key Terms in Literary Theory. Yesterday we had 'Phallogocentric' so I felt it only right to balance things up a bit and give Hélène Cixous centre stage. L’ecriture feminine L’ecriture feminine is a term coined by Hélène Cixous, in The Laugh of the Medusa (1976), meaning literally… Read More »