This week, in a series of blog takeovers, we’re looking at Modernism, Theory, and Responsible Reading with posts from the collection’s contributors. Post by Roger Rothman With great concision, Yan Tang sketches a necessary genealogy of affect theory—now roughly a quarter century in the making—and makes a compelling case that the theorists we may end up referring… Read More »
Fabio Akcelrud Durão’s essay “Responsible Reading of Theory” engages with a number of large and fundamental questions regarding the identity, purpose, and future of theory. The answers that it offers are so rich and complex that a responsible reading of the entirety of that essay would require a monograph. For that reason, this response will focus on just the first paragraph of the first of the essay’s three sections and consider how that paragraph defines the relationship between theory and literature.
Considerations of the insufficiency of the category Latina/o/x is not new, particularly as concerns social justice and reparative projects that seek material redress for the centuries-long racial, ethnic, and culture-based oppressions against this dynamic and complex population. In fact, this is a primary consideration of many works across the diverse field of Latina/o/x Studies. Thus, when we read and discuss scenes of sexual violence in Latina/o/x and Afrolatina/o/x literatures, we must approach each instance locally.
This week, in a series of blog takeovers, we’re looking at #MeToo and Literary Studies with posts from the collection’s contributors. Guest post by Somia R. Bibi and Nidhi Shrivastava In this conversation, Somia R. Bibi and Nidhi Shrivastava discuss the limitations of the #MeToo movement in the South Asian subcontinent and diaspora. In particular,… Read More »
This week, in a series of blog takeovers, we’re looking at #MeToo and Literary Studies with posts from the collection’s contributors. Guest post by Robin E. Field Precious Jones was introduced to readers 25 years ago, when Sapphire’s debut novel Push was released in June 1996. Almost immediately Precious became as beloved a figure as her inspiration,… Read More »
This week, in a series of blog takeovers, we’re looking at #MeToo and Literary Studies with posts from the collection’s contributors. This is the second post in the series. Guest post by Elif S. Armbruster, PhD On October 5th, the New York Times ran a 10,000-word article that centered on a long drawn out and… Read More »
In September 2021, Gabby Petito was reported missing. As a white woman victim of intimate partner violence, Petito’s case received national coverage, the average Tiktok user posted conspiracy theories about her disappearance, and Dog the Bounty Hunter traveled to Florida in search of Brian Laundrie—the boyfriend who allegedly murdered her. This sensationalizing of violence against women, especially as it intersects with popular culture true crime obsession, warrants its own commentary. However…
Diane di Prima was born on August 6, 1934 in Brooklyn and passed on in San Francisco on October 25, 2020. Di Prima was a true national treasure, having chronicled throughout her astonishing career a momentous period of American history. Although for over six decades an indomitable force in ourcultural life, Di Prima remains unfamiliar to many readers. Because she was the major female identified with the Beat movement and author of the hip-language-inflected book This Bird Flies Backward (1958) who lounged in slacks sitting atop a piano—as a famous photograph from the fifties depicted her during a poetry reading— and due to the appearance a decade later of Memoirs of a Beatnik (1968), she has been misperceived as a “Beat chick.”
Where Ovid entertained Romans with stories of metamorphoses, we now revel in stories of leaving our meat bodies and entering the internet as disembodied intelligences. Ovid’s stories may seem frivolous and even decadent to us, but we are entranced by our own version of such mythic transformations. Myths from different cultures resonate and merge; that particular transformation to web existence is also known as The Rapture for Nerds.
book, Literature and Film from East Europe’s Forgotten “Second World,” was inspired by my years of teaching literature and film from East Europe of the socialist “Second World” era at the University of Washington in Seattle. Over time, I noticed an interesting paradox: the more this period—which ended with the 1989 fall of communism and the subsequent dissolution of countries like the USSR, Czechoslovakia and, of course, Yugoslavia—receded into a historical never-land, the more its stories, novels and films seemed to resonate with and delight my students.