Guest post by Georgina Binnie-Wright Mentioning ‘Bloomsday’ to those unfamiliar with the work of James Joyce may provoke a quizzical reaction. Yet the date of Ulysses’ setting, on 16 June 1904, marks an opportunity to celebrate a text that has been heralded as signalling the birth of literary modernism. Celebrations will be heightened this year… Read More »
Guest post by Emily Ennis.
“Apps like Instagram tap into a centuries’ old tradition of using photographs to tell stories. Yes, taking photos often provides a window directly into how we live our lives on a day-to-day basis. But we also edit those photos – apply filters, crop, resize – and our choices of captions – or no captions – as well as our very selection of the images we use says something about how we choose to present ourselves to the world.”
This week, in a series of blog takeovers, we’re looking at Modernism, Theory, and Responsible Reading with posts from the collection’s contributors. Guest post by Yan Tang Daniel Newman’s essay deftly moves from a generative reading of postcritique that calls for alternatives to Theory’s reductive tendency, to responsible reading as a pedagogy of sharing our myriad experiences… Read More »
After pouring over dozens of conference papers and journal articles, public lectures, a PhD thesis, a Fellowship, and spending hundreds of hours in archives around the world, I carefully constructed the case for the Experimentalists not only being a movement but perhaps being one of the most important British literary movements of the twentieth century.
A powerful use of language is to tell people our story, especially to tell our loved ones about ourselves. They will hopefully reply using the language of acceptance and understanding. Conversely, a person can conceal their own story through language, or have their declarations met with words of hate and violence. This is when language has an even more important role to play in illuminating the path to equality; as Jeanette Winterson says, we need a language “capable of expressing all that it is called upon to express in a vastly changing world.”
Lately, I’ve been thinking a lot about confinement.
How many steps from my desk to the fridge? (seven) How many from the fridge to the bathroom? (twelve) How many times per day do I track this route?
In October 1954, Samuel Beckett too was thinking of confinement. He was reading a letter from German prisoner Karl-Franz Lembke, who had translated, rehearsed and staged Beckett’s debut play, Waiting for Godot, behind bars. Beckett was clearly moved, as we can see in his response:
Guest post by Alison Waller The recent death of Judith Kerr, creator of the Mog books and The Tiger Who Came to Tea, generated an outpouring of love and nostalgia from adults, many of whom recalled encountering her picturebooks as adults and subsequently passed them on to children and grandchildren. Revisiting my own battered copy… Read More »
Katherine Mansfield was born on October 14, 1888. To celebrate the 130th anniversary of her birth, Todd Martin explores Mansfield’s relationship to the Bloomsbury Group and her place in literary modernism. In one of the reviews of the first edition of Katherine Mansfield and the Bloomsbury Group, the reviewer – commenting that the book was… Read More »
Natasha Periyan answers a few questions for us about The Politics of 1930s British Literature, her new book in the Historicizing Modernism series. How would you describe your book in one sentence? A study of how 1930s writers engaged with education as they explored shifting democratic ideals, new gender identities and new aesthetic forms. What… Read More »
Guest post by Nick Hubble The past may be a foreign country, as L.P. Hartley claims in his 1953 novel The Go-Between, but recently it has seemingly become the populist destination of choice for those hoping to escape from the complexities of contemporary life. In the context of ‘Brexit’, the idea of a ‘return to… Read More »