This week we’re celebrating the publication of Critical Creative Writing: Essential Readings on the Writer’s Craft, a comprehensive introduction to the key debates in creative writing today, from the ethics of appropriation to the politics of literary evaluation. Today’s post is from David Mura, whose essay ‘On the Response to Junot Díaz’s “MFA vs. POC”‘ is featured in… Read More »
This week we’re celebrating the publication of Critical Creative Writing: Essential Readings on the Writer’s Craft, a comprehensive introduction to the key debates in creative writing today, from the ethics of appropriation to the politics of literary evaluation. Today’s post is from Natasha Sajé, whose essay “The Politics of Literary Evaluation” is featured in the collection. I… Read More »
This week we’re celebrating the publication of Critical Creative Writing: Essential Readings on the Writer’s Craft, a comprehensive introduction to the key debates in creative writing today, from the ethics of appropriation to the politics of literary evaluation. Today’s post is from Dr. Craig Santos Perez, whose essay “Poetry, Politics, and Letters to the Empire” is featured… Read More »
This week we’re celebrating the publication of Critical Creative Writing: Essential Readings on the Writer’s Craft, a comprehensive introduction to the key debates in creative writing today, from the ethics of appropriation to the politics of literary evaluation. Today’s post is from Janelle Adsit, the editor of the collection. The students in my creative writing class have… Read More »
Guest post by Stephanie Vanderslice A year ago I was awaiting the publication of my book, The Geek’s Guide to the Writing Life, and planning a December launch party, complete with hot cocoa bar and favors (because Pinterest is my weakness). I had no way of knowing what awaited me and how much I would… Read More »
Guest post by Trent Hergenrader As a Ph.D. student in English-Creative Writing at University of Wisconsin-Milwaukee, I became interested in digital writing across composition, professional writing, and creative writing. I was surprised to find so little scholarship on digital creative writing, so one of my advisors suggested I look at work in the still-nascent field… Read More »
Michael Dean Clark answered a few questions about Creative Writing Innovations, now available in paperback. How would you describe your book in one sentence? I’d describe our book as 16 instigations toward conceiving the study of creative writing outside the assumption that traditional approaches like the workshop model are inherently best practices and must be… Read More »
Guest post by Amy Weldon, excerpted from The Writer’s Eye: Observation and Inspiration for Creative Writers In 2007, a revised edition of the Oxford Junior Dictionary replaced words associated with nature – including acorn, catkin, kingfisher, nectar, and pasture – with words associated with white-collar, adult-driven technology, including block-graph, bullet-point, committee, cut-and-paste, and voice-mail.[1] When asked about… Read More »
Guest post by Seth Abramson For applicants to MFA and Ph.D. programs in creative writing, 2018 is at once the best of times and the worst of times. It’s the best of times because there are more such programs than ever before—so there’s likely a quality program nearby, wherever you live—and because more MFA and… Read More »
Guest post by Sean Prentiss and Joe Wilkins, adapted from Environmental and Nature Writing: A Writer’s Guide and Anthology There’s a wicked myth about environmental writing (or any creative writing, really): that the great writer ascend the mountain to wait for inspiration to strike. Once it does strike, the writer simply transcribes that revelation verbatim, and… Read More »