From government briefings to quirky “human interest” stories and double-blind Pub Med studies, narrative in all its multifarious forms is what we resort to, promising in various measure, consolation and comprehension. But we rarely ask why. Why we are addicted to narrative in the first place. Why our minds work this way.
Guest post by Chris Gavaler and Leigh Ann Beavers The below is an excerpt from Creating Comics, part of Bloomsbury’s series of Writers’ Guides and Anthologies. Begin with story events and let them guide page arrangement. When an artist receives a script from a collaborating writer, the process emphasizes story. Standard scripts divide page content… Read More »